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For general inquiries use the form on the right and for all other inquiries please contact us at curious@muselab.in. 

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Please send resumes and portfolios electronically at curious@muselab.in. Ensure that all document(s) can be opened and printed from Microsoft Word or Adobe Acrobat.
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Suite 601, 6th Flr, Zafryn Chamber, Oil Depot Rd, Sewri E, Mumbai, MH, 400015

India

+91 9820146139

MuseLAB is an end-to-end design studio; offering a bespoke and leading-edge approach to design. With a precise focus on unique and highly customized environments, interiors and furniture. In 2012 partners Huzefa Rangwala and Jasem Pirani founded the studio built upon their shared passion for design. Each space and or product embodies integrity and is created with the same care, skill and attention to detail.

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MuseLOG

 

 

Filtering by Category: Product

Featured in the second edition of AD Shop Talk

MuseLAB

(L) AD Shop Talk cover page. (R) 3 Wall Art from X-Stitch

(L) 8 Wall finish featured from upcoming project Wok This Way QSR at Lower Parel. (R) 13 Light fixture designed by At-tin for Free-Spirited 

(L) 18 Art work from Contemporary Traditional  (R) 18 Credenza featured from Free-Spirited 

(L) 28 Custom designed tiles, Chevron flooring patterns and electroplated bathroom fixtures from Uber Gatherer 

MuseMATTERS: (Im)perfect Architecture

MuseLAB

Imperfections show up several times in our lives in almost everything we see, use or design. More often than not, we realise, that something we once perceived to be perfect, is probably flawed or obsolete.  Beauty in art is often found in the imperfection it bears. The highly appreciated works of Picasso often disregarded scale and proportion. But when a two dimensional entity transcends into a three dimensional object, is there room for imperfection?

Maybe there is an area where imperfections are welcome.  During the design process, we cherish the potential that imperfection bears in our search for the perfect design solution. We study several ideas, compositions and layouts only to find that they are just not right for the project. Architects generally crave to attain perfection, but even in a completely flawless design, imperfections can creep up in the form of materials and workmanship. As much as architects try to control the execution of a perfect design, there is always room for some imperfections to appear.

Computational methods are used to make architecture more definitive. Even as architectural forms get more free flowing and organic, the need for accurate digital modelling and parametric is on the rise. The contemporary obsession that the world has with digital precision only minimises the chances of imperfections.

An untitled painting by Le Corbusier.   Image courtesy VKV Visuals Blog.

An untitled painting by Le Corbusier. Image courtesy VKV Visuals Blog.

We are surrounded by imperfections -whether it is on a smaller scale like paintings and art or on a larger scale like cities. The discussion then digressed and we -debated on the flaws of an organic city like Mumbai and a city planned to have no imperfections like Chandigarh. Mumbai being an organically developing city; the architecture has emerged out of necessity and not meticulous planning. Every time the imperfections of this city begin to resurface, another layer of architecture and infrastructure is added to meet the growing needs of the city.

(L) Door detail at the Assembly building by Le Corbusier at Chandigarh. (R) High Court building by Le Corbusier at Chandigarh.  

(L) Door detail at the Assembly building by Le Corbusier at Chandigarh. (R) High Court building by Le Corbusier at Chandigarh. 

Chandigarh cannot be talked about without the mention of Le Corbusier and his work. As an architect, Corbusier always tried to bridge the gap between perfection and imperfection. His architecture displays clarity with definitive forms, contrary to his abstract expressions in art. Architecture is paradoxical – and therefore as a studio as well we often try to work through challenges through a rigorous process of continuously massaging the idea by refining it and trying to perfect the imperfect. Ultimately we re-valuate the proposed solutions and try to make balanced and informed decisions.  

Muse MATTERS is a series of dialogues that as a studio we shall engage in– the purpose of the dialogues is for the studio to discuss matters, ask questions, share lessons learnt and may be in the process we can make a difference. Topics discussed shall not be restricted to the field of architecture and design necessarily; they could be about an experience, a journey, a comic strip and anything in between or beyond. We will use this space to share our thoughts and blurbs.

 

MuseMATTERS: Digital Manufacturing

MuseLAB

Every few decades or centuries, a new set of skills and intellectual activities become crucial; these often simplify tasks and skills which were previously only accessible to experts. In line with this, our practice agrees that digital fabrication is a new and major chapter in this process of bringing together powerful ideas and expressive tools across diversified industries. This range of accepted disciplinary knowledge has expanded to include not only programming, but now also includes engineering, design and manufacturing.

Image courtesy Maker's Asylum

Image courtesy Maker's Asylum

We decided to further last week’s conversation from digital design to digital manufacturing with a field trip to Maker’s Asylum, a community space in South Bombay with a mission “to inculcate the Maker culture of hands-on learning and creative thinking, a creative platform for creative entrepreneurs to prototype their ideas.” The brain child of Vaibhav Chhabra and Anool Mahidharia, the space offers an array of 3D printers, electronics lab and prototyping tools for woodworking, robotics, bicycle building and repair, rapid prototyping, open source computer-aided design.

 A quick walk through the space exposed us to limitless possibilities of these tools which we could seamlessly apply to the design and fabrication of our in-progress product/ furniture line. We discussed the applications of laser cutter and CNC milling machines only to realise that as much as it facilitates the process of design, each manufacturing tool has its own limitations. For instance, we were debating over the intricate designs of coasters in birch ply that we have been prototyping and concluded that the laser cutter allows us to cut some fine and delicate patterns. However, the finer the pattern, the longer the process and the greater the intensity of the laser – all these attribute to a burnt, smoked finish. CNC milling machines will however, give a cleaner finish but the intricacy of the design is compromised owing to the diameter of the smallest bit of the router.

(L) Top surface of coaster prototypes and (R) Bottom surface of coaster prototypes.

(L) Top surface of coaster prototypes and (R) Bottom surface of coaster prototypes.

All in all, as much as technology facilitates in saving time while innovating, there is always going to be a moment where human intervention will be required - in this case we will have to accept the burnt edges as a characteristic that is a result of the process. To tone down the smoky burntness we will process the new characteristic as a planned characteristic. This shall be done by exploring ways of washing or staining the ply organically with organic colours or vegetable dyes. And yes, there is always a learning curve to align the lateral thinking required to foster creativity and inventiveness.

Muse MATTERS is a series of dialogues that as a studio we shall engage in– the purpose of the dialogues is for the studio to discuss matters, ask questions, share lessons learnt and may be in the process we can make a difference. Topics discussed shall not be restricted to the field of architecture and design necessarily; they could be about an experience, a journey, a comic strip and anything in between or beyond. We will use this space to share our thoughts and blurbs. 



Design Do - design showcase

MuseLAB

Design Do at At-Tin

Design Do at At-Tin

We are really excited for our first design showcase, 'Design Do' coming up in Feb (Feb 1st to 4th) - where we will be sharing the stage with nine other designers/ artists. We would like to invite you to come experience our first product, "pet-table." The event is being held at At-Tin a design studio located at Mazgaon. 

For event details and more information click here.

At-Tin Studio address: Old Anjirwadi, Off Champsi Bhimji Road, Next to Saifee Burhani Park, Mazagaon, Mumbai, Maharashtra, India 400010